11A F# minor
11A is the Camelot code for F# minor. It mixes cleanly with 10A, 12A, 11B, 1A, 9A, 10B, 12B — those are the keys that share enough notes for the blend to hold.
The four moves out of 11A
Same key. The safest blend there is — nothing to clash.
One step clockwise. Lifts the room without changing the mood.
One step back. Cools it off, same tonal family.
Relative major/minor switch. Same notes, different feeling.
Every key scored against 11A
These are the same numbers the Harmoniq engine uses when it sorts your library. 100 is the same key; anything at 55 or above is workable.
| Key | Camelot | Score | Blend |
|---|---|---|---|
| B minor | 10A | 88 | Smooth |
| Db minor | 12A | 88 | Smooth |
| A major | 11B | 85 | Mood flip |
| Ab minor | 1A | 62 | Workable |
| E minor | 9A | 62 | Workable |
| D major | 10B | 55 | Workable |
| E major | 12B | 55 | Workable |
| B major | 1B | 29 | Clash |
| G major | 9B | 29 | Clash |
| Eb minor | 2A | 21 | Clash |
| F# major | 2B | 21 | Clash |
| A minor | 8A | 21 | Clash |
| C major | 8B | 21 | Clash |
| Bb minor | 3A | 13 | Clash |
| Db major | 3B | 13 | Clash |
| D minor | 7A | 13 | Clash |
| F major | 7B | 13 | Clash |
| F minor | 4A | 10 | Clash |
| Ab major | 4B | 10 | Clash |
| C minor | 5A | 10 | Clash |
| Eb major | 5B | 10 | Clash |
| G minor | 6A | 10 | Clash |
| Bb major | 6B | 10 | Clash |
The notes in F# minor
GbAbABDbDE
Two keys blend when their scales overlap. That is all harmonic mixing is — the Camelot wheel is just a faster way to see it.
Key is half the answer
Tempo still has to line up, and a key detector that is wrong is worse than no key at all. Harmoniq gives every result a confidence score, so you know when to trust it and when to listen first.